Spotlights
Garance French
A spotlight conversation with screenwriter Garance French.
Spotlight Interview
Garance French
Screenwriter
Garance French started writing screenplays at 17, in her first year of college, while studying performing arts. After a trip to Rome and a visit to Cinecittà she committed to studying cinema, and she has been writing — and getting better with practice — ever since.
Hi Garance, can you tell us about your background and how you got started in screenwriting?
I started to write screenplays when I was 17 and in my first year of college. I was studying performing arts and had loved cinema since I was a child. After a trip to Rome and a visit to Cinecittà, I decided to study cinema and I have never felt more in my element! So I gave screenwriting a try. It wasn’t very good at first but I got better and better with time as I kept practicing.
What's your writing process like? How do you go about creating characters and developing a story?
I am a very creative person, so I could make a movie out of thin air! The tiniest detail can give me an idea that I then develop. I start by writing down my idea and any thing that could be related to it (plot, character, costumes, locations, etc…).I then try to build a structure out of this: I divide it in six strong moments that will give a rhythm to the movie.Then it’s time to outline: I create the scenes (they might change as I am writing, it’s never written in stone) and I start writing them according to the notes I have (what does the character want? why is this scene here? why can it not be deleted? etc…).The characters usually come to me pretty easily but when they don’t, I try to write at least three things that make them who they are (what do they like? where are they from? why are they here? etc…). But everything usually evolve as I write.
Can you talk about a recent project you've worked on and the challenges you faced while writing it?
I have recently been writing a “whodunit” and it has been pretty difficult to find a good structure that is also original. Because cinema has existed for over a century, you always feel like everything has already been done. So you have to be very aware of what has been done (in both cinema and literature for my example) so that you can find what hasn’t been done, if there is, how to put your own twist on it. The key to overcoming these challenges, in my opinion, is to stay true to yourself and keep writing what you want to write.
What do you think is the most important element of a great screenplay?
I think the most important element of a screenplay is creativity. It’s as important in the structure but also in the dialogue or in the characters. You should always try to convey an element of surprise in any way possible because that is what will make people remember your movie.
How do you feel about the current state of the film industry and the role of screenwriters in it?
The current state of the film industry leaves me divided: there are so many opportunities and talents out there but at the same time, it is very difficult to get started.
How do you approach writing for different genres and audiences?
I think, in any case, you should research your subject. The more you know, the more you will be able to play with it. This goes for every genre. When it comes to audiences, it’s basically the same thing. With the knowledge of what they want, you will be able to aim at it and define the goals for your screenplay better.
How do you handle feedback and criticism?
It’s always nice to have feedback because I believe we can always do better. You should always, if you can, ask people who have experience and can give you advice. I also believe it’s good to have the opinions of people who are not professionals because they will tell you their honest thoughts without worrying about the codes or the structure. But most importantly, it’s what you think that matters.
Can you talk about any upcoming projects or collaborations you're excited about?
I’m always working on something! I usually write feature screenplays but I want to focus on writing and directing short films. I have a couple of ideas that I hope I will be able to bring to life. This way, I can also gain experience before diving into bigger projects.
How do you see the role of screenwriting evolving in the future?
Sadly, screenwriters don’t get the recognition they deserve. They are often overlooked and underpaid and I hope that changes in the future, although this one might be a stretch.
In Their Words
“The key to overcoming these challenges, in my opinion, is to stay true to yourself and keep writing what you want to write.”
Garance French
What advice would you give to aspiring screenwriters?
Because I have been writing for so long, I found out something that really helps: you should never throw away anything. Whatever you write, keep it! It might come in handy in the future, even if you don’t see the use of it for the moment or if you think it’s bad. I’m gonna give you one example that happened to me. I often have ideas when I’m trying to sleep at night and I can get up in the middle of the night to write them down. One night, I wrote an entire dialogue out of nowhere. The next morning, as I was reading it, I thought “How can I use it?”. I didn’t find the answer until months later when I started writing a movie that I didn’t know how to start. So I put this dialogue in and used it to make a plot twist during the introduction of the characters. Another reason why you should keep everything is that you can also realize how much progress you have made.
Curtain Call
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