It was all experimentation. It was in control. The Light above leads.

Yes, I was 15 years old, representing America in a global youth soccer tournament with countries around that world, that changed my life. Barcelona was the first place that made me say, I never want to leave. Now, here I am, all over again, with a film, a few kilometers away from the same stadium we duked it out in.

We were experimenting with films since we were kids in our neighborhood. The methods have changed, but the same feeling of having fun is still there. If it’s not fun, I don’t want to make the film. Madrid has welcomed me with open arms; I imagine Barcelona will hug extra tight. Una Abrazo.

No. The story is essentially the final boss. The financiers, producers, managers, directors and everyone else in-between, seem to be a byproduct of the final boss, or it become muddy. Clean water is best.

The only challenge was holding onto this same vision from years ago. I finally had time to put it together from a memory.

This was with friends and family. Zero stress on any of the details. All fun.

I first started experimented with producing raw organic sounds into fully digital with Eric ‘Popeye’ Villa from Central California. He was one of the first to have a full music studio in Central California. It was a playground for experimentation and fun and we put out a song on a water themed film that seemed to resonate well.

I heard this week it was 12 wins and awards, with a few nominations.

Go with the vision from above. It’s always right.

I’m in this experimental genre, so no mega generic runs for me. I think most film festivals around the globe are essential, as it allows their culture to grow and fortify together as one. The Barcelona Indie Awards does a great job at highlighting the gems.

Yes, October. I also hope to be with you again in Barcelona in February of 2026.